Luxury Literature Magazine
LLM: When you’re performing a song written from the perspective of a mythological or fictional character, are you still Lilith onstage, or does some degree of possession occur?
LM: I think it depends on which song I’m singing. In Dark Erl King, Big Bad Wolf, and Siren, I don the mask of the villain who is speaking. In songs that get more personal—like Bears & Wolves, Sisyphus, and Traitor to Myself—it’s just me on that stage.
Read the entire interview: Luxury Literature Magazine